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That’s where I still live. It’s where I’ll be for the rest of my life and, and when you grow up there, it’s just like there’s some things that are just taken for granted. And, it’s just like one of the few things that like my mother and my friends have in common is they’ll both ask me about the game last night. I was you know that’s where I was raised. I don’t do it very often, but I just love the game.
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I quite like skating and I like being out there with my friends a little bit. And, who would buy me as a fucking hockey player? …Fandom doesn’t necessarily mean that like I love playing the game. (laugh) And why would I want to show people how shitty I am at skating. JOURNALIST: Jay, you always wanted to write about a Canadian ice hockey story, but you didn’t play a hockey player in this film…īARUCHEL: ’Cause I’m terrible at hockey. SCOTT: No, no, we were lucky. There was some bruises for sure and we, we tagged each other. A lot of landed punches, but we were pretty lucky for the amount of stuff that we did.īARUCHEL: And no one opened each other up. JOURNALIST: Any of your real blood mixed in with that great big blood? I’m pretty good.” But after that, after they saw me on skates.īARUCHEL: It was all so obvious. SCOTT: Yeah, I may have fibbed a little bit in that first meeting. (laugh)īARUCHEL: There was no lying from day one. JOURNALIST: Were you one of the actors who lied about your skating ability? Genuinely, I really do. I knew baseball, basketball and football, so I’m still kind of new to the game. But I love it now I just can’t play it.
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I don’t think it’s possible to have a love for a sport, any sport, as much as he has for hockey, which I think is awesome. (to Scott): Now, did you have a great love of hockey coming into this to match Jay’s? Not that I think that’s even possible. JOURNALIST: And an extreme love and appreciation for hockey. JOURNALIST: This script and performance they both show so much heart. Or like being a person at a round table, sitting in complete silence while other journalists talked to movie stars. I started to speak a couple times but lost out to more confident and experienced journalists.Įnjoy this conversation that I was present for but didn’t participate in! It’s like being a fly on a wall. If I was just willing to cut people off or shout over them. Good, solid questions that could have taken the interview to fascinating, unimaginable places. In my defense, there were multiple other writers who also couldn’t get a word in edgewise. It’s a pretty aggressive environment for something as trivial as chatting with actors about their new movie, and sadly, in the below interview, I was unable to get a single question in. Occasionally, two journalists will start speaking at the same time until one of them backs down and the other one continues with his or her question. It’s often pretty competitive, and everyone’s kind of waiting for the interviewee to wrap up their answer so that they can get their question in during the split second of silence after the actor stops talking and before the inevitable rapid-fire question from somebody else. How these roundtable interviews work is that whichever journalist starts talking first gets to ask their question. When Seann William Scott and Jay Baruchel made a charming entrance and sat down for their joint roundtable interview, all the journos and myself slid our near-identical recording devices across the table towards the movie stars, and the interview began. A really, really boring, low-key, almost-nonexistent clash. It was like a clash between New Media and Old Media. I sat down at the round table that we’d be using for the roundtable interview, along with a slew of movie journalists, many of whom have been writing for major newspapers for decades and probably resented some plucky kid working for a blog that’s been around for a year and a half.
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The PR team promoting Goon set up a string of conference rooms at the hotel for Scott and Baruchel to drop by and record TV and radio spots, plus participate in a roundtable interview with about 15 web and print journalists, including myself. Baruchel also wrote the movie with Seth Rogen’s writing partner Evan Goldberg. Last month, I was summoned to the swanky Beverly Hills Hilton to attend a press day for the new movie Goon, starring Seann William Scott and Jay Baruchel. The title of this piece should really be “Watching Other People Talk to Seann William Scott and Jay Baruchel.” Let me explain.